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I envision this timing likely created during the Palladium era but I have not verified that. Eddie Torres started educating and popularizing this timing start in the 1980's, from what I recognize. He was mentored by the late June Laberta, a ballroom dance educator, that helped him create his method and timing.

The story I'm regularly informed here, that still calls for further investigation, is that as salsa began getting to new target markets outside of the Caribbean and New York, it was much easier and more intuitive to teach cultural outsiders to dance On1 instead of On2. This story doesn't account for the fact that I've listened to Rueda de Casino was originally danced a tiempo On3 in Cuba.

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Salsa On1 is just among various salsa timings you can dance to and it is the most usual timing you'll find in the world today. Salsa On1 timing definition: "On1" indicates you begin dancing on the very first beat of bench of songs the 1. Your break actions (instructions modifications) get on beats 1 and 5.

The exceptions I've located thus far, where On2 is most common, would certainly be around New York and in South Korea (Bachata San Francisco). I make certain there are various other locations that dance mostly On2 but I haven't danced in every country yet! If you're uncertain what timing is most typical where you live, ask your neighborhood dance studio

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When a person says "I dance salsa On1" they probably imply "I dance linear design salsa On1" (although you can dance any kind of style of salsa On1, individuals generally indicate linear design). Don't stress if you have actually stated these points in the past, it's all excellent we all have! The essential point is to bear in mind there's a distinction between design and timing and deepen your understanding so you can be extra precise when discussing salsa with your good friends.

It links nicely with the phrasing in the music, particularly the piano, and other percussion tools like the cow bell and giro. Timing and design are 2 different things, so separate the concepts when you speak about salsa with your close friends. No matter of what timing is most typical in your area of the globe, remember you can practically dance any type of design of salsa to any timing discover and enjoy!

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Although there is an initial mambo dancing that originated from Cuba and after that spread out to Mexico and New York City in the 40s and 50s, nowadays when someone states "I dance mambo" they indicate salsa On2, which is different than the initial mambo dancing. The occasional free-from steps of the original mambo were danced solo.

As the dance started to spread out, On1 timing began to come to be preferred. Salsa On2 interpretation: "On2" means you begin dancing on the very first beat of the bar of music the 2.

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Historically those are the tools that a son cubano professional dancer connected with and that was handed down to mambo and salsa. A great deal of professional dancers take pleasure in dancing On2 for the varied means you can attach to the music. This is the initial son cubano and mambo timing. Son cubano is the music and dance that came before mambo and salsa.

It links well to the clave, bass and conga - Salsa San Francisco. Cha-cha is similar to dance On2 contratiempo but you include the three-way action on 4 and 8. Although danced to the exact same beats as On1, your break steps are currently on 2 and 6, which changes the feeling of the dancing.

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This timing is almost identical to contratiempo On2 yet the actions that are usually on 4 and 8 are on 4. It's virtually like a timing in between a tiempo and contratiempo.

5 instead of 5) you're dancing this syncopated timing. In reality it appears it's often danced as kind of a "mistake" for anyone dancing the previous two timings.

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As mentioned earlier, this was the first interpretation of dance on clave (son clave), where the Puerto Ricans would straighten their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The idea is to straighten as numerous steps of your fundamental as possible with the strikes of the child clave.

Things about music and dance is that there is no right or incorrect. There is just analysis. You can dance on any timing you like! Normally, individuals have found a method to dance on practically every timing feasible to boy and salsa music. People dance On3 for the same factor you dance On1 due to the fact that it stresses the strong beats of 1-3-5-7.

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Let's take a look at the beats you dance On1 to: -2-, -6- (strong beats remain in strong) Let's check out the beats you dance On3 to: -4-, -8- (strong beats remain in strong) Notice just how the solid beats are spaced exactly the same for On1 and On3? All you do is start tipping On3 as opposed to On1.

That's why dance On3 is so common in Latin America. People either Attempt to dance On1 however start tipping On3 by accident and it exercises just penalty, or They do not recognize much regarding timing and are just analyzing what they hear in the music, based upon their experience maturing in a culture with salsa.

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